Sunday, April 27, 2025
3:00 PM EST
Jordan Hall, Boston. MA
Join the Boston Civic Symphony as we perform
Beethoven: Symphony No. 9
with the Chorus Pro Musica.
Soprano: Patrice Tiedemann
Alto: Emily Harmon
Tenor: Neal Ferreira
Bass: Daniel Brevik

This LIVESTREAM is provided for FREE. Please consider making a donation to help us cover the costs of staging this concert. Thank you.
Program Book
About the Artists
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Francisco Noya Conductor
Francisco Noya is a prominent figure in the Boston and New England music scene, where he has earned a reputation as a versatile interpreter of symphonic and operatic literature. He served as music director of the Longwood Symphony Orchestra in Boston and Symphony by the Sea in Manchester. Mr. Noya currently serves as resident conductor of the Rhode Island Philharmonic Orchestra, where he represents the Philharmonic artistically and educationally throughout the Rhode Island community. He is also the music director of the New Philharmonia Orchestra in Newton, MA.
Noya is also a respected member of the conducting faculty of the Berklee College of Music in Boston. In the fall of 2008, he began his tenure as music director of the Berklee Contemporary Symphony Orchestra, where he is actively engaged in the exploration of cutting-edge orchestral repertoire.
Noya began his professional career in his native Venezuela, as conductor of the Youth Orchestra of Valencia, one of the original ensembles of “El Sistema.” After earning advanced degrees in composition and conducting from Boston University, Noya was appointed to serve as assistant conductor of the Caracas Philharmonic and assistant to the music director of the Teatro Teresa Carreño, one of the most prestigious theaters in Latin America. Noya continued his conducting career in the United States by serving as music director of the Empire State Youth Orchestra in Albany, New York for ten seasons. During his tenure, he led the group on two European tours as well as in concerts at both Carnegie Hall in New York City and in Ozawa Hall at Tanglewood.
In the U.S., Noya has appeared as guest conductor of the Boston Pops, Baltimore, Nashville, San Antonio, and Omaha Symphony Orchestras, and the Cape Cod Symphony, among others. In addition, he has performed internationally with orchestras in Argentina, Brazil, Peru, Austria, Bulgaria, Czech Republic, Spain, Italy and Russia. In Venezuela, Noya has collaborated with “El Sistema,” teaching Master Classes and conducting orchestral performances throughout the country. For the past three seasons, Noya has been a guest conductor with the Orquesta Académica of Teatro Colón in Buenos Aires.
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Ken Yanagisawa Associate Conductor
Japanese-American conductor Ken Yanagisawa is the Music Director of the Boston Opera Collaborative and the Boston Annex Players, the Associate Conductor of the Boston Civic Symphony, the Assistant Conductor of the New Philharmonia Orchestra, and an Assistant Professor at Berklee College of Music. He made his Japanese debut conducting Mozart’s Die Zauberflöte with Kansai Nikikai and the Japan Century Symphony Orchestra in February 2023 and will return in Fall 2026 to conduct Mozart’s Clemenza di Tito. A 2024 Aspen Conducting Academy Fellow and James Conlon Conductor Prize recipient, Ken has previously served as a Conducting Apprentice with the Detroit Symphony Orchestra and has assisted/covered the National Symphony Orchestra, Rhode Island Philharmonic, Berlin Academy of American Music, and Berlin Opernfest, among others.
Ken recently completed a Doctor of Musical Arts degree in Orchestral Conducting at Boston University under the guidance of James Burton and also holds graduate degrees in conducting from the Manhattan School of Music and a B.A. in music from Yale University. Prior to Yale he attended the New England Conservatory as an Undergraduate Diploma candidate for Oboe Performance under the tutelage of John Ferrillo. His other teachers include George Manahan, William Lumpkin, Bernard Labadie, and Tatsuya Shimono. In masterclasses and festivals, he has been taught by renowned artists and pedagogues such as Robert Spano, Leonard Slatkin, Mark Stringer, Dame Jane Glover, Gerard Schwarz, and Jorma Panula. He is deeply grateful for all the excellent guidance and mentorship he has received thus far in his life as a musician.
FAQ About the Live Stream
Is the performance really live?
Yes! There may be pre-recorded messages and videos prior to 3:00 p.m. EST. At that time, we go live.
Will there be a live chat during the performance?
We will have a live chat during the performance. You will also have the ability to donate via the live chat by clicking on the $ icon.
Great! What is a live chat?
Viewers will have an opportunity to ask questions and post comments about the concert in real time. In order to do so, you will need a YouTube account. If you don’t have one, you may set one up prior to the concert using a Gmail address. We will have a moderator from the orchestra answering questions and fielding comments.
How much are tickets?
The concert is free online. If you would like to make a donation to help cover our
costs of recording and livestreaming, click the “Donate” button. Thank you for your support!
What happens if there are technical difficulties?
Earthquakes during the World Series? A blackout during the Super Bowl? Yeah, it could happen to us too. If we experience technical problems, the concert will be available on our YouTube channel at a later date.
Can I applaud after each piece?
Yes! Unfortunately our musicians won’t be able to see or hear you, but express
your enjoyment by post your comments on the Live Chat and on our Facebook and our YouTube page later.
Oh no! I missed the concert or I won’t be able to make it. Is there going to be a recording of the concert?
Yes. Just as any uploaded YouTube video. It will be made available on this page and on our YouTube Channel after the concert is over.
I missed the start of the concert. Can I watch from the beginning?
Yes. You will have the ability during the Live Stream to rewind from the beginning. However, if you want to send a live chat response it may not be in real time.