Sunday, December 15, 2024
4:00 PM EST
Holiday concert with Boston Latin School Chorus
This LIVESTREAM is provided for FREE. Please consider making a donation to help us cover the costs of staging this concert. Thank you.
Program Book
About the Artists
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Philip Lima Baritone
Baritone Philip Lima has regularly garnered critical acclaim for his performances on both concert and operatic stages: “His singing was glorious” (The Boston Globe) –“vibrant baritone and a commanding presence” (Cleveland The Plain Dealer) – “keen musicianship along with total dramatic intention.” (Opera News Online).
A native of New Bedford, MA and a former freelance violist, Lima has sung leading operatic roles in Germany and for regional American opera companies in repertoire ranging from traditional favorites by Handel, Mozart, Puccini, and Verdi; to important
works of twentieth century masters such as Samuel Barber, Benjamin Britten, and Viktor Ullmann; to the comic masterworks of Gilbert and Sullivan. Of particular note have been his featured roles in the world premieres of operas by jazz greats Leslie Burrs, Nathan Davis, and Mary Watkins, and by award-winning composer Larry Bell.Lima has appeared as soloist with the Boston Symphony, multiple times with the Boston Pops, and with numerous orchestras (including the BCSO)), choral societies, and concert series across the United States and in Italy, Korea, and Ukraine in choral works of Bach, Beethoven, Brahms, Fauré, Handel, Mendelssohn, Orff, and Vaughan Williams, as well as works by Bernstein (Arias and Barcarolles and major excerpts from Mass), Margaret Bonds (Credo), Dave Brubeck (The Light in the Wilderness),
Copland (Old American Songs), Mahler (Kindertotenlieder), Ravel (Don Quichotte à Dulcinée), and Lee Hoiby (his setting of the I Have a Dream speech of Rev. Dr. Martin Luther King, Jr.). Lima is featured on the recording of pioneering African-American composer Florence Price’s Abraham Lincoln Walks at Midnight that won the 2020 American Prize for the Performance of American Music.Lima is a frequent recitalist whose performance with pianist Beverly Orlove of Schubert’s monumental, 24-song cycle Winterreise was cited by The Boston Phoenix in an annual summary of Boston’s “Unforgettable Classical Events.”
More information about Mr. Lima is available at philiplima.com, and at his YouTube channel, PhilipLimaSings.
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Francisco Noya Conductor
Francisco Noya is a prominent figure in the Boston and New England music scene, where he has earned a reputation as a versatile interpreter of symphonic and operatic literature. He served as music director of the Longwood Symphony Orchestra in Boston and Symphony by the Sea in Manchester. Mr. Noya currently serves as resident conductor of the Rhode Island Philharmonic Orchestra, where he represents the Philharmonic artistically and educationally throughout the Rhode Island community. He is also the music director of the New Philharmonia Orchestra in Newton, MA.
Noya is also a respected member of the conducting faculty of the Berklee College of Music in Boston. In the fall of 2008, he began his tenure as music director of the Berklee Contemporary Symphony Orchestra, where he is actively engaged in the exploration of cutting-edge orchestral repertoire.
Noya began his professional career in his native Venezuela, as conductor of the Youth Orchestra of Valencia, one of the original ensembles of “El Sistema.” After earning advanced degrees in composition and conducting from Boston University, Noya was appointed to serve as assistant conductor of the Caracas Philharmonic and assistant to the music director of the Teatro Teresa Carreño, one of the most prestigious theaters in Latin America. Noya continued his conducting career in the United States by serving as music director of the Empire State Youth Orchestra in Albany, New York for ten seasons. During his tenure, he led the group on two European tours as well as in concerts at both Carnegie Hall in New York City and in Ozawa Hall at Tanglewood.
In the U.S., Noya has appeared as guest conductor of the Boston Pops, Baltimore, Nashville, San Antonio, and Omaha Symphony Orchestras, and the Cape Cod Symphony, among others. In addition, he has performed internationally with orchestras in Argentina, Brazil, Peru, Austria, Bulgaria, Czech Republic, Spain, Italy and Russia. In Venezuela, Noya has collaborated with “El Sistema,” teaching Master Classes and conducting orchestral performances throughout the country. For the past three seasons, Noya has been a guest conductor with the Orquesta Académica of Teatro Colón in Buenos Aires.
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Ken Yanagisawa Assistant Conductor
Japanese-American conductor Ken Yanagisawa is the Assistant Conductor of the Boston Civic Symphony and is currently pursuing a Doctor of Musical Arts degree in Orchestral Conducting at Boston University under the guidance of James Burton. He will be making his Japanese debut as a guest conductor for a production of Mozart’s Die Zauberflöte with Kansai Nikikai and the Japan Century Symphony Orchestra at the Hyogo Performing Arts Center Japan in February 2023, and most recently served as assistant conductor for the BU Opera Institute productions of Ned Rorem’s Our Town and Mozart’s Così fan tutte as well as for the BU Symphony Orchestra & Symphonic Chorus performance of Brahms’s Ein Deutsches Requiem at Boston Symphony Hall.
Previously, Ken completed a research residency at the Kyoto City University of Arts and received a Master of Music and Professional Studies Certificate in Orchestral Conducting from the Manhattan School of Music. While a student at MSM, he was selected to participate in the Manhattan School of Music / Leonard Slatkin Conductors Project and was subsequently invited to work with the Detroit Symphony Orchestra as a Conducting Fellow in March 2020. He also holds a Bachelor of Arts in Music from Yale University where he received the Joseph Lentilhon Selden Memorial Award and the Stanton Wheeler Award, and prior to Yale he attended the New England Conservatory as an Undergraduate Diploma candidate for Oboe Performance under the tutelage of John Ferrillo.
FAQ About the Live Stream
Is the performance really live?
Yes! There may be pre-recorded messages and videos prior to 3:00 p.m. EST. At that time, we go live.
Will there be a live chat during the performance?
We will have a live chat during the performance. You will also have the ability to donate via the live chat by clicking on the $ icon.
Great! What is a live chat?
Viewers will have an opportunity to ask questions and post comments about the concert in real time. In order to do so, you will need a YouTube account. If you don’t have one, you may set one up prior to the concert using a Gmail address. We will have a moderator from the orchestra answering questions and fielding comments.
How much are tickets?
The concert is free online. If you would like to make a donation to help cover our
costs of recording and livestreaming, click the “Donate” button. Thank you for your support!
What happens if there are technical difficulties?
Earthquakes during the World Series? A blackout during the Super Bowl? Yeah, it could happen to us too. If we experience technical problems, the concert will be available on our YouTube channel at a later date.
Can I applaud after each piece?
Yes! Unfortunately our musicians won’t be able to see or hear you, but express
your enjoyment by post your comments on the Live Chat and on our Facebook and our YouTube page later.
Oh no! I missed the concert or I won’t be able to make it. Is there going to be a recording of the concert?
Yes. Just as any uploaded YouTube video. It will be made available on this page and on our YouTube Channel after the concert is over.
I missed the start of the concert. Can I watch from the beginning?
Yes. You will have the ability during the Live Stream to rewind from the beginning. However, if you want to send a live chat response it may not be in real time.