Francisco Noya is a prominent figure in the Boston and New England music scene, where he has earned a reputation as a versatile interpreter of symphonic and operatic literature. He served as music director of the Longwood Symphony Orchestra in Boston and Symphony by the Sea in Manchester. Mr. Noya currently serves as resident conductor of the Rhode Island Philharmonic Orchestra, where he represents the Philharmonic artistically and educationally throughout the Rhode Island community. He is also the music director of the New Philharmonia Orchestra in Newton, MA.
Noya is also a respected member of the conducting faculty of the Berklee College of Music in Boston. In the fall of 2008, he began his tenure as music director of the Berklee Contemporary Symphony Orchestra, where he is actively engaged in the exploration of cutting-edge orchestral repertoire.
Noya began his professional career in his native Venezuela, as conductor of the Youth Orchestra of Valencia, one of the original ensembles of “El Sistema.” After earning advanced degrees in composition and conducting from Boston University, Noya was appointed to serve as assistant conductor of the Caracas Philharmonic and assistant to the music director of the Teatro Teresa Carreño, one of the most prestigious theaters in Latin America. Noya continued his conducting career in the United States by serving as music director of the Empire State Youth Orchestra in Albany, New York for ten seasons. During his tenure, he led the group on two European tours as well as in concerts at both Carnegie Hall in New York City and in Ozawa Hall at Tanglewood.
In the U.S., Noya has appeared as guest conductor of the Boston Pops, Baltimore, Nashville, San Antonio, and Omaha Symphony Orchestras, and the Cape Cod Symphony, among others. In addition, he has performed internationally with orchestras in Argentina, Brazil, Peru, Austria, Bulgaria, Czech Republic, Spain, Italy and Russia. In Venezuela, Noya has collaborated with “El Sistema,” teaching Master Classes and conducting orchestral performances throughout the country. For the past three seasons, Noya has been a guest conductor with the Orquesta Académica of Teatro Colón in Buenos Aires.
With a “dark-‐‑hued tone and razor-‐‑sharp technique” (The New York Times), Russian- ‑American violinist Yevgeny Kutik has captivated audiences worldwide with an old-‐‑world sound that communicates a modern intellect. Praised for his technical precision and virtuosity, he is also lauded for his poetic and imaginative interpretations of both standard works and newly composed repertoire.
A native of Minsk, Belarus, Kutik began violin studies with his mother, Alla Zernitskaya, and immigrated to the US with his family at the age of five. An advocate for the Jewish Federations of North America, the organization that assisted his family in coming to the US, he regularly speaks and performs across the country to promote the assistance of refugees from around the world. Kutik’s discography includes Meditations on Family (Marquis Classics 2019), Words Fail (Marquis Classics 2016), Music from the Suitcase (Marquis Classics 2014), and Sounds of Defiance (Marquis Classics 2012).
Yevgeny Kutik made his major orchestral debut in 2003 with Keith Lockhart and The Boston Pops as the First Prize recipient of the Boston Symphony Orchestra Young Artists Competition. In 2006, he was awarded the Salon de Virtuosi Grant as well as the Tanglewood Music Center Jules Reiner Violin Prize.
Kutik holds a bachelor’s degree from Boston University and a master’s degree from the New England Conservatory and currently resides in Boston. Kutik’s violin was crafted in Italy in 1915 by Stefano Scarampella.
For more information, please visit www.yevgenykutik.com.
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About Boston Civic Symphony
Founded in 1924 by the late educator, conductor and composer, Joseph Wagner, the Boston Civic Symphony is the second oldest symphony orchestra in the city. As one of Boston’s most respected musical organizations, the Civic has distinguished itself from other local musical groups through its focus on presenting an unusually broad range of music performed by exceptionally skilled students and amateurs, and through its emphasis on developing a broad-based audience.
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