Sunday, May 1, 2022
3:00 P M EST
This LIVESTREAM will be provided for FREE. Please consider making a donation to help us cover the costs of staging this concert. Thank you.
FAQ About the Live Stream
Where can I watch the performance?
You will be able to watch it LIVE on this page on Sunday, May 1 at 3:00PM EST. If for some reason you are having trouble seeing the LIVESTREAM here please visit our YouTube Live Stream Channel at the following link https://youtu.be/zpHCsUW26pI.
Is the performance really live?
Yes! There will be pre-recorded messages and videos prior to 3:00 p.m. EST. At that time, we go live.
Will there be a live chat during the performance?
We will have a live chat during the performance.
Great! What is a live chat?
Viewers will have an opportunity to ask questions and post comments about the concert in real time. In order to do so, you will need a YouTube account. If you don’t have one, you may set one up prior to the concert using a Gmail address. We will have a moderator from the orchestra answering questions and fielding comments.
How much are tickets?
The concert is free online. If you would like to make a donation to help cover our
costs, there will be a “Donate” button on our web site. All donations will be
acknowledged in an upcoming Constant Contact e-mail that will also be posted
on our Facebook page. Anyone donating $250 or more will receive a Boston Civic Symphony mask.
How long is the concert?
The performance will last approximately seventy-five minutes – about an hour
less than most Avengers movies and five hours less than a Super Bowl
Is there an intermission?
There will be no intermission, so stock up on your favorite “classical music
snacks” prior to 3:00.
What happens if there are technical difficulties?
Earthquakes during the World Series? A blackout during the Super Bowl? Yeah, it could happen to us too. If we experience technical problems, a notice will be posted on our Facebook page. Hopefully we will have a back-up system that will enable us to post the concert on our YouTube channel at a later date.
Can I applaud after each piece?
Yes! Unfortunately our musicians won’t be able to see or hear you, but express
your enjoyment by post your comments on the Live Chat and on our Facebook and our YouTube page later.
Oh no! I missed the concert or I won’t be able to make it. Is there going to be a recording of the concert?
Yes. Just as any uploaded YouTube video. It will be made available on this page and on our YouTube Channel after the concert is over.
I missed the start of the concert. Can I watch from the beginning?
Yes. You will have the ability during the Live Stream to rewind from the beginning. However, if you want to send a live chat response it may not be in real time.
I have other questions. Who can I contact?
Send your questions to Michele Mortensen, Executive Director, at
About the Artists
Philip Lima Baritone
Baritone Philip Lima has regularly garnered critical acclaim for his performances on both concert and operatic stages: “His singing was glorious” (The Boston Globe) – “vibrant baritone and a commanding presence” (Cleveland The Plain Dealer) – “keen musicianship along with total dramatic intention.” (Opera News ONLINE).
He has sung leading operatic roles for the international Kurt Weill Festival in Germany, numerous regional American opera companies, and the Handel & Haydn Society in works ranging from Handel’s Semele and Mozart’s Così fan tutte to Saint-Saëns’ Samson et Dalila, Puccini’s Madama Butterfly and Tosca, to Ullmann’s Der Kaiser von Atlantis, Barber’s Vanessa, Britten’s The Rape of Lucretia, and Gilbert and Sullivan’s comic classics The Mikado and The Pirates of Penzance. Of particular note have been his featured roles in the world premieres of operas by jazz greats Leslie Burrs, Nathan Davis, and Mary Watkins, and by award-winning composer Larry Bell.
Mr. Lima has appeared as soloist with the Boston Pops and over seventy orchestras, choral societies, and concert series across the United States and in Korea and Ukraine, singing
major works such as Bach’s St. John Passion and Ich habe genug, Beethoven’s Symphony
No. 9 and Mass in C, Bernstein’s Arias and Barcarolles and Mass (major excerpts), the Requiems of both Brahms and Fauré, Dave Brubeck’s The Light in the Wilderness, Copland’s Old American Songs, Handel’s Messiah, Haydn’s The Creation, Mendelssohn’s Elijah, Orff’s Carmina Burana, Mahler’s Kindertotenlieder, Mendelssohn’s Grosse Festmusik zum Dürerfest (U.S. premiere), Ravel’s Don Quichotte à Dulcinée, and the major choral works of Vaughan Williams. He has been acclaimed for his performances with numerous orchestras—including the Boston Pops—of Lee Hoiby’s setting of the “I Have a Dream” speech of Rev. Dr. Martin Luther King, Jr.; and is featured on the recording of pioneering African-American composer Florence Price’s Abraham Lincoln Walks at Midnight that won the 2020 American Prize for the Performance of American Music.
As a solo recitalist, Mr. Lima debuted in Rome with a concert of spirituals in 2000, and has performed frequently at Boston’s historic Jordan Hall. His performance of Schubert’s Winterreise with pianist Beverly Orlove was cited by The Boston Phoenix in an annual summary of Boston’s “Unforgettable Classical Events.”
A native of New Bedford, Massachusetts and an alumnus of Yale University, Mr. Lima studied at the Tanglewood Music Center and Boston University, and with Richard Conrad; and is the Assistant Chair of Berklee College of Music’s Voice Department. More information about Mr. Lima is available at www.philiplima.com, and at his YouTube channel, PhilipLimaSings.
Francisco Noya Conductor
Francisco Noya is a prominent figure in the Boston and New England music scene, where he has earned a reputation as a versatile interpreter of symphonic and operatic literature. He served as music director of the Longwood Symphony Orchestra in Boston and Symphony by the Sea in Manchester. Mr. Noya currently serves as resident conductor of the Rhode Island Philharmonic Orchestra, where he represents the Philharmonic artistically and educationally throughout the Rhode Island community. He is also the music director of the New Philharmonia Orchestra in Newton, MA.
Noya is also a respected member of the conducting faculty of the Berklee College of Music in Boston. In the fall of 2008, he began his tenure as music director of the Berklee Contemporary Symphony Orchestra, where he is actively engaged in the exploration of cutting-edge orchestral repertoire.
Noya began his professional career in his native Venezuela, as conductor of the Youth Orchestra of Valencia, one of the original ensembles of “El Sistema.” After earning advanced degrees in composition and conducting from Boston University, Noya was appointed to serve as assistant conductor of the Caracas Philharmonic and assistant to the music director of the Teatro Teresa Carreño, one of the most prestigious theaters in Latin America. Noya continued his conducting career in the United States by serving as music director of the Empire State Youth Orchestra in Albany, New York for ten seasons. During his tenure, he led the group on two European tours as well as in concerts at both Carnegie Hall in New York City and in Ozawa Hall at Tanglewood.
In the U.S., Noya has appeared as guest conductor of the Boston Pops, Baltimore, Nashville, San Antonio, and Omaha Symphony Orchestras, and the Cape Cod Symphony, among others. In addition, he has performed internationally with orchestras in Argentina, Brazil, Peru, Austria, Bulgaria, Czech Republic, Spain, Italy and Russia. In Venezuela, Noya has collaborated with “El Sistema,” teaching Master Classes and conducting orchestral performances throughout the country. For the past three seasons, Noya has been a guest conductor with the Orquesta Académica of Teatro Colón in Buenos Aires.